Short-form interview with Olga Zilberbourg in Epiphany blog

I’m so grateful to Odette Heideman for her deep engagement with my work — she’d published a story of mine, The Green Light of Dawn, in Epiphany literary magazine some years ago, and we’ve stayed in touch since then. She asked thoughtful questions that were fun to respond to. Huge thanks to Kendra Allenby for the portrait!

Read the full interview in Epiphany blog.

Like Water is not a traditional novel, but it reads like a novel in a way, with the immigrant condition as a sort of blanketing narrative. Looking at Like Water as a whole, the immigrant-in-a-new-world is an archetypal character—male, female, young, old—all encompassed in one larger character. Did you sort through stories you had to find the ones that feel this connection? How did it come together?

Thank you for characterizing the book as a non-traditional novel! This is precisely the effect I was going for. My training is in comparative literature, and I’ve done some work in narrative theory. As a reader, I am always conscious about the way I look beyond the characters and the narrators of a book, searching for the consciousness of the implied author to guide my reading experience. Who is that person structuring the information on the page? What can I tell about her politics, about her ethical values, about the strengths and the limitations of her factual knowledge? These questions inform my analysis and appreciation of the text. 

http://epiphanyzine.com/features/2019/11/27/short-form-olga-zilberbourg

Genrikh Sapgir’s Sonnets: A Performance from ALTA

Punctured Lines

On November 9th, 2019, Olga Livshin, Dmitri Manin, and I hosted an off-off-site at ALTA (American Literary Translators Conference) in Rochester, NY. Olga Livshin introduced A LIFE REPLACED, her hybrid collection combining own and translated poems; and I introduced LIKE WATER AND OTHER STORIES, my English-language collection of fiction. Both books deal with issues around parent and children relationships, immigration, and processing the complex inheritance that we brought to the US from the Soviet Union.

To open the evening, we staged a brief performance of Dmitri Manin’s translations from the work of Genrikh Sapgir. A Soviet Jewish poet, Sapgir combines a whimsical imagination with the sharp eye for telling details. Watching this video a few weeks after the performance, I’m surprised to see how effectively Sapgir’s images and Dmitri Manin’s words helped us to recreate a certain spirit of the late Soviet Union, a kind of festive…

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