To Lit Crawl and Beyond!

Dear friends,

As many of you know, October is Litquake month in San Francisco — our annual literary festival is already underway, with many entertaining, educational, and inspiring events. On October 25 (Saturday), the festival ends with Lit Crawl — a literary pub crawl through the Mission neighborhood.

I’m participating in two events. In Phase 1, from 5-6 pm, find me at Ruth’s Table (3160 21st St), with my fellow immigrant writers from the former USSR. This year, our theme is “Owning Fear, Reaching for Freedom.” We’re reflecting on how our community experience of living under a totalitarian regime has prepared us for the current political moment. And though the theme is as grim as the times, I promise you that the event won’t be. Events with this group of writers and translators are a wonderful occasion to celebrate community and each other’s work. We’re here to support and encourage each other to tell more stories. Too much has been silenced and swept under the rug. We’re trying to bring it all out in the open. It’s a joyous occasion!

A flyer displaying ten author's photos alongside  three quarters perimeter. In the center left, in black, title of the event:
OWNING FEAR, REACHING FOR FREEDOM: POST-SOVIET WRITERS AND TRANSLATORS SPEAK OUT
on the right, in red: LIT CRAWL SAN FRANCISCO
Below, in Blue:
Sat OCTOBER 25TH 5-6 PM
AT RUTH'S TABLE
2160 21st Street
Sponsored by California Humanities and Ruth's Table

Then, for Phase 2, from 6:30 to 7:30 pm, I head to Noisebridge (272 Capp Street), where I will continue to celebrate my writers group. Every Tuesday night, we gather together to read each other our story drafts and to give and receive feedback on our work. This is how we learn to build stronger, more clear and nuanced, stories.

During this event, five of our amazing writers will share their work and tell us about how they’ve revised it after receiving feedback. Then, we’ll ask our audience to critique a story. Guaranteed laughs! (And also maybe it will make revision more approachable to people.)

An image of a blackboard with a stack of yellow pencils in the foreground. Text in yellow and white reads: 
San Francisco Writers Workshop Presents
Five writers read their stories and share the feedback that made them great.
Then YOU get to critique a juicy story, Live!
Below:
Author's portraits with signatures:
Beverly Parayno
Peng Ngin
Tim Sullivan
Jo Beckett-King
Tony Tepper

Below: We've Got Notes for You!
October 25, 2025
Lit Crawl, Phase II, 6:30 pm
Noisebridge, 272 Capp Street

Looking beyond Litquake, on Saturday, November 8, at 6 pm, I will be reading at Telegraph Hill Books alongside my friend Bart Schneider, who has just published his novel GIACOMETTI’S LAST RIDE, about the final romance of a famous Swiss sculptor, Alberto Giacometti. It’s a gorgeously produced book with illustrations by a well-known Sonoma-based artist, Chester Arnold. Bart will introduce the novel, and I will read some of my new work, and then we can talk about books and hang out. Join us!

In other news, my translations from the work of Olga Bragina have received two recent honors.
* Editors of ANMLY nominated the poems they published for a Pushcart Prize.
* One of the poems published by Consequence, has been chosen to appear in Best Literary Translations 2026 anthology, forthcoming from Deep Vellum Press. So delighted! Olga Bragina’s work deserves more recognition.

This summer, Yelena Furman and I have been able to add several publications to Punctured Lines, our feminist blog on post-Soviet and diaspora literature. We pride ourselves in amplifying work by writers from underrepresented groups in our literary space. Dive in:
* We Have to Go Back: Speculative Fiction, Nostalgia, and the Ghosts of Bookshelves Past, Guest Essay by Kristina Ten
* Queering Peripheries: Lara Vapnyar’s “Lydia’s Grove”: Soviet-Born: The Afterlives of Migration in Jewish American Fiction by Karolina Krasuska
* Seven Forty: Memoirs of a Jewish District Attorney from Soviet Ukraine by Mikhail Goldis, translated, edited, and with an Introduction by Marat Grinberg
* Graphic Novels and Memoirs of Soviet Trauma

(Apologies for the TOY STORY reference in my subject line. It’s stuck in my brain and won’t go away.)

With appreciation for you all,

Olga

Spring Events

“My son wants to take the streetcar. My daughter doesn’t. She doesn’t want to walk, either.” A new fiction of mine, “A Train is Coming,” appears in the upcoming issue of Mom Egg (MER) Review 23, copy available for purchase as a PDF and in print. If you want to hear me read it out loud on Zoom, register for the issue release party (free), where I’m delighted to share the stage with my friend, poet Olga Livshin, among others.

If you can only make it to one Zoom-based Olga Z event this month, I strongly encourage you to come to the translation salon I’ll be MCing on April 17th. Coorganized by translator Ilze Duarte and hosted by WTAW Press (that published my collection), this event will bring to you some of the leading literary translators of the English-speaking world, representing writers from Brazil, India, Ukraine, Azerbaijan, and China. Readers of this newsletter will recognize the names of Boris Dralyuk, who translates Andrey Kurkov, and Katherine E. Young, the translator of Akram Aylisli. It so happens that all of the translators on this reading are also writers and poets themselves, and I only wish I had the time to interview them about how they combine their own writing with their translation projects. One thing for sure, they’re masters of the English letters, opening worlds into other languages and cultures for us. Register (it’s a virtual, Zoom-based event)! This will be fun.

Bay Area locals: I have one more event to invite you to. On May 4, at 1 pm, I’ll be taking a part in a brand new Jewish Arts & Bookfest, being organized at the UC Berkeley’s Magnes collection, “one of the world’s preeminent Jewish museums” (I’m just learning about it too). I’m moderating a panel we called Between War and Peace, on the role of Russian literature in the work of Soviet-born Jewish American writers, featuring Margarita Meklina, Tatyana Sundeyeva, and Sasha Vasilyuk. How did we get from worshipping Pushkin, Akhmatova, and Bulgakov to writing about Soviet Jewish–and often female–experiences? How do the structures and ideas of Russian and Soviet lit continue to affect our own storytelling? How does the popularity of Russian lit in the US intersect with our USSR-formed experiences of it, and what do we do with the image of a “Russian writer” as a bearded white (and ethnically Russian) man? Following my conversation with Marat Grinberg, I have ever more questions. Please join me.

And to continue the theme of Soviet-born writers, I’m leaving you with the recording from the event that took place in Los Angeles in March, a reading by this amazing group of writers born in the USSR, and translators working with the post/Soviet experience. Thank you to Olga Livshin for capturing and editing this video. We called this event Diaspora Writers Against War, and we’re continuing to do what we can to raise funds in support of Ukraine. Please donate to Ukraine TrustChain.

Los Angeles, Zoom, and new publications

I’m delighted to invite you to a one of a kind event happening in Los Angeles on March 28: a reading at the Wende Museum by eighteen writers and translators from the former USSR. We’re coming together to share our work, to get to know each other, and also to eat Ukrainian food (a Ukrainian food truck is expected!) and to support Ukraine.

Register on Eventbrite and if you can’t come, please share this with your friends in LA. Irina Reyn will be there! Katya Apekina! Kristina Gorcheva-Newberry! Our star translators and poets! Did I mention eighteen readers? Each of them, a star.

Expect humor; tales and poems of sex, identity crises, parenting, cultural intersections, immigration, and war. The Wende Museum is dedicated to art and artifacts from the Cold War era, and they are currently running an exhibit called “Undercurrents II: Archives and the Making of Soviet Jewish Identity,” which aligns so closely to what many of us write about. The museum kindly agreed to stay open late for us, until 6 pm, and we’re encouraging people to get there early so that they can tour the exhibit. So: register!

For friends who can’t make it to LA, I have a Zoom event this coming Monday, March 17, 7-8 pm Pacific. Together with writers Jen Siraganian, former Poet Laureate of Los Gatos, and Christin Rice, author of The ABC’s of Pandemic Parenting (Permutation Press), we will be reflecting on the 5th anniversary of the pandemic lockdown. The lockdown has changed our lives in ways that we still feel today. I find it useful to recall the first day, week, month of it, and so I plan to read from my diary–the notes that I managed to capture in the midst of the insanity. To tune in, register here: https://us06web.zoom.us/meeting/register/M-q9F0MfRimjwisnh0uaLQ

I published two new creative pieces in the past month:

  • “Where does your motherland begin? Does it begin with a picture in a primer, with treasured friends who live down the street? With your mother’s song?”

    Radio Baltica, an Essay, about the teenage experience of growing up during my country’s collapse–it’s all about the music of the era and, of course, The Beatles. Thanks to Tint Journal based in Graz, Austria for publishing this piece. I recorded an audio track, so you can hear me reading this essay out loud. Also included is a link to a Spotify playlist where I collected most of the songs I reference. I limited myself to only one Beatles tunes, to be polite, I guess. Alla Pugacheva is here to enchant!
  • “A seven-year-old girl falls in love with a book and tells herself, I want to read every book in the world.”

    New story: “A Woman of Learning,” in Weavers Literary Review. No link here because this mag is print only for now. I have a couple of copies, so let me know if you want one — or feel free to order and support the publishers. The magazine by Moazzam Sheikh and Amna Ali focuses on South Asian American writing, and they have a very strong curatorial vision. I’m honored to have my story included, especially given that my geographies aren’t an immediate match.

I’m taking a break from book reviewing at the moment; that being said, I want to point out two book-related pieces I wrote:

  • To accompany my recent review of Avtodya Panaeva’s The Talnikov Family, I interviewed the translator Fiona Bell as well as Panaeva scholar Margarita Vaysman. To learn more about an incredible 19th century Russian female writer, a woman who helped run a most influential literary magazine, do read this Q&A: Narrating a Violent Childhood on Punctured Lines–here are so many insights!
  • I never miss a chance to gush about a favorite writer. This time, the question “what are you reading now?” from The Common arrived just as I was finishing Bohumil Hrabal’s I Served the King of England.

Litquake Events

Once again, it’s Litquake season in San Francisco! My schedule is, unfortunately, being hijacked by the fact that my kids’ amazing local public elementary school, Harvey Milk Civil Rights Academy, is in peril as a result of the district’s financial mismanagement, and in the last 10 days I’ve been involved in helping to organize 2 rallies and multiple other initiatives to try to #saveourschools.

But! Litquake is not to be missed and there are so many exciting and important events that are on the schedule. Check it out.

I’m participating in three events. The first will be this coming Monday, 6:30 pm at 297 Page Street. Called Golden State: Stories about Life on the Left Coast, it’ll feature about 15 readers, including me, performing our flash fictions. This event is currently sold out on Eventbrite, but don’t let that stop you. Tickets are free, and Eventbrite isn’t that reliable as a predictor of attendance for free events. Come!

October 26, the last day of the festival, is also when Lit Crawl happens: starting at 5 pm that Saturday, literary readings will take over the Mission neighborhood. I am helping to organize two events.

At 5 pm, come to Manny’s for a reading we’re calling Passionate Thinking in Diaspora to hear a fantastic group of writers who were born in Ukraine, Russia, and Moldova. This is our third time doing an event at Lit Crawl, and we’re excited to return with all new stories. Find more details about the event, including our bios, on Punctured Lines.

To continue Lit Crawl extravaganza, I invite you to follow me to Noisebridge, where at 6:30 pm on October 26, I’ll be helping to emcee a presentation of the San Francisco Writers Workshop–the longest running writing workshop probably anywhere!–featuring our current moderators and regulars, with stories spanning different genres, centuries, continents (including imagined ones). Can’t wait to hear and celebrate this crew. Find more details on the San Francisco Writers Workshop’s page.

And yes, I’m heading to the afterparty at the end of the festival. Dunno if there will be any awkward dancing this year, but I promise to contribute my share of awkward yet impassioned conversation on any topic you like. Including, yes, the school district, omg.

Olga

May Events and a New Interview

I recently talked to Jack Boulware about my journey as a writer, growing up in the USSR and Russia and moving to the US, cultural differences, Russia’s recent history and its descent toward war on Ukraine, literary community, and particularly Punctured Lines and my collaborations in bringing together writers from the former Soviet Union writing in English.

Jack co-founded Litquake with Jane Ganahl and co-ran it until last year, providing an amazing platform for some of the events that I have helped organize. At the end of last festival, Jack retired from Litquake and moved on to other things, among them is this Substack newsletter with a particular focus on West Coast’s news and culture. Subscribe! It’s always entertaining and there are so many amazing characters. And read our conversation here.

Speaking about writers community, please join me for two upcoming events.

On May 23, at 6 pm, I’ll be interviewing Sasha Vasilyuk at Telegraph Hill Books (1501 Grant Avenue, SF) about her new novel YOUR PRESENCE IS MANDATORY. Sasha and I share a bit of family history: both of our grandfathers fought in the Red Army against Germany in WWII, both were captured and became POWs, hiding their Jewish identities to survive in the Nazi camps. Later, upon returning to the USSR, they had to hide the fact of their captivity from the Soviet authorities to avoid being sent to the Gulag. They went about this differently, and therein lie the particularities of character and family circumstances that Sasha so wonderfully explores in her novel. I am so happy to see this book out in the world, and I can’t wait to talk to her about it!

Please register for this conversation on Eventbrite!

May 23, 6 pm
Telegraph Hill Books
1501 Grant Avenue, SF

It is also my pleasure to invite you to a reading that San Francisco Writers Workshop–the Tuesday night group that I’ve been attending since 2008 and co-moderating since 2015–is hosting for the benefit of our venue, Noisebridge Hackerspace. Noisebridge has been letting our use their space for free, but they certainly have a large monthly bill. This is our chance to help!

We’ve got an incredibly strong group of regulars whose names on book jackets will undoubtedly very soon grace your bookshelves. I will also read one of my new short-shorts. Come to listen and support us, and I can promise you that you will be entertained and inspired! There will also be a participatory literary game, food, (nonalcoholic) drinks, and a raffle! I think of this event as a giant party, but if I say so, don’t expect dancing. Details below.

May 31, 7 pm
Noisebridge
272 Capp Street, SF
Suggested donation $10

Sonoma Community Writers Festival

Bay Area Folk — on Thursday, April 4, I’ll be participating in a community writers festival at a university about an hour and a half north of San Francisco. An event organized by the wonderful fiction writer Miah Jeffra and his students, this will be an afternoon and evening program of readings and panels on writers’ craft and the publishing industry. Take a look at the full schedule.

At 5:20 pm, I will be moderating a panel “From a Reader to a Critic” about book reviewing.

At 7 pm, I will appear with my fellow writers published by WTAW Press and will read a story (or two) from LIKE WATER AND OTHER STORIES.

No need to register in advance. Show up if you’re able to! There will also be a book fair: a great opportunity talk to small presses, mags, schools, and buy your next favorite book.

SF Public Library Reading and Recent Publications

It’s still January, and so not too late, in my book, to wish you all a happy New Year. For those of you in San Francisco Bay Area, my first event of the year is coming up this Saturday, February 3. Come to the Main branch of the SF public library at 2 pm.

I will be reading an excerpt from my novel-in-progress set in Leningrad in the year 1990. This event called “A Sense of Place” is organized by my friend Beverly Parayno, whose collection of stories WILDFLOWERS it was my pleasure to blurb. I’ll be reading alongside Beverly herself, Toni Mirosevich, and Norman Zelaya. I’m delighted to meet these acclaimed writers in person and to hear their stories of the Bay Area and beyond.

In the past few months, I have published two stories. One, a brand new fiction “Make Peace with the Cake” — about an ex-Soviet immigrant parent coping with the post-COVID, war-time social tensions and her own anxieties — appears in the Museum of Americana, a magazine that has generously published 1, 2, 3 of my earlier stories.

Another piece, “Sweet Dreams,” is an older story that remains important to me for personal, creative, and political reasons. It was first published circa 2010 in an issue of Mad Hatters’ Review and has now been brought back online by the Bulb Culture Collective, a magazine that gives home to stories that first appeared in now defunct online magazines. What a noble quest! I certainly have more work to send their way.

Last but not least, the service that I have been using to send out my newsletter (TinyLetter) is being discontinued, so I’m attempting to use my website provider (WordPress) for these emails. Those of you who are already subscribing to my website may have already seen some of this information. Please let me know if you encounter any other technical issues.

**POSTPONED** A Sense of Place Panel at the San Francisco Public Library

Update: This event has been postponed. I’m standing by for the new date.

I’m delighted to join a panel of writers I admire in a reading that will take place on Saturday, November 4 at the San Francisco Public Library.

Details:
Saturday, November 4, 2 pm
African American Center, 3rd Floor
Main Library, 100 Larkin Street, San Francisco

Lit Crawl: Building Community in the Face of War

Bay Area friends — come out to our Lit Crawl event on Saturday, October 21, 5 pm at 518 Valencia.

This event was a long time in the making. As Ukraine approaches its 600th day of defending its sovereignty against Russia’s assault, it remains paramount to continue to tell our stories and to refute the propaganda narratives that are festering in the social media spaces.

I’m really looking forward to hearing the poems, stories, personal essays and more from this group of Bay Area writers with deep personal connections to both Ukraine and Russia.

Lit Crawl is a part of San Francisco’s Litquake festival going on right now. Make sure to check out the full program and to participate in other events. It’s an amazing experience!

San Francisco Writers Workshop Presents: Lit Crawl Reading

San Francisco Writers Workshop is proud to participate in San Francisco’s Lit Crawl 2023 festival. For more than eight decades, this free, drop-in critique group has met weekly, nurturing a wide range of local authors. Come hear from the recent participants at our home base!

Event details:
October 21, 5 pm
Noisebridge, 272 Capp Street

Originally from the North of England, Jo Beckett-King is a writer and translator currently based in San Francisco. Her fiction has been short- or longlisted for the UK’s Bridport Prize, the Bristol Short Story Prize, and the Bath Children’s Novel Award. She is represented by Elise Howard at DeFiore & Company.

Tahirah Nailah Dean is a lawyer by day and writer by night. She writes about the difficulties of finding love and marriage from the perspective of a Muslim woman. Her work has appeared in Al Jazeera and Insider. She is a recipient of the 2023 Hurston/Wright Fellowship and winner of the 2021 MFest Short-Story Competition. Tahirah is currently working on a novel.

Cynthia Gómez writes feminist anti-capitalist horror and speculative fiction. Her work has been published in Strange Horizons, Fantasy Magazine, and elsewhere. Her collection, “The Nightmare Box and Other Stories,” will be published by Dread Stone Press in summer 2023.

Mike Karpa’s short fiction and memoir has appeared in Tin House, Tahoma Literary Review, Oyster River Pages and Foglifter Journal. His first novel Criminals was a Kirkus Reviews Best Book of 2022. His new novel, The Wealthy Whites of Williamsburg, won best gay book at the 2023 SF Book Festival.

Graham Smith built a solar-powered car in a locomotive shop and once traveled to an uninhabited island just to get some eggs. He was dredged, like an ancient bicycle, from the mud of the Upper Mississippi and continues to roll on through the hinterlands of San Francisco Bay.

Joel Streicker’s stories have been published widely. Recent winner of Cutthroat Magazine’s and Blood Orange Review’s fiction contests, he has also published poetry and nonfiction in English and Spanish. His translations of such writers as Samanta Schweblin, Mariana Enríquez, and Pilar Quintana have appeared in numerous journals.

Jason Tan graduated from St. Olaf college with a degree in Latin and Asian Studies. He writes primarily fantastical novels about people who are trying to figure out the rest of their lives. He lives in San Francisco.