SF Public Library Reading and Recent Publications

It’s still January, and so not too late, in my book, to wish you all a happy New Year. For those of you in San Francisco Bay Area, my first event of the year is coming up this Saturday, February 3. Come to the Main branch of the SF public library at 2 pm.

I will be reading an excerpt from my novel-in-progress set in Leningrad in the year 1990. This event called “A Sense of Place” is organized by my friend Beverly Parayno, whose collection of stories WILDFLOWERS it was my pleasure to blurb. I’ll be reading alongside Beverly herself, Toni Mirosevich, and Norman Zelaya. I’m delighted to meet these acclaimed writers in person and to hear their stories of the Bay Area and beyond.

In the past few months, I have published two stories. One, a brand new fiction “Make Peace with the Cake” — about an ex-Soviet immigrant parent coping with the post-COVID, war-time social tensions and her own anxieties — appears in the Museum of Americana, a magazine that has generously published 1, 2, 3 of my earlier stories.

Another piece, “Sweet Dreams,” is an older story that remains important to me for personal, creative, and political reasons. It was first published circa 2010 in an issue of Mad Hatters’ Review and has now been brought back online by the Bulb Culture Collective, a magazine that gives home to stories that first appeared in now defunct online magazines. What a noble quest! I certainly have more work to send their way.

Last but not least, the service that I have been using to send out my newsletter (TinyLetter) is being discontinued, so I’m attempting to use my website provider (WordPress) for these emails. Those of you who are already subscribing to my website may have already seen some of this information. Please let me know if you encounter any other technical issues.

Make Peace with the Cake in the Museum of Americana

I’m grateful to my friends at the Museum of Americana for publishing my story, “Make Peace with the Cake” in their Food Court section. Huge thanks to Lauren Alwan for editing!

Our Leo was six or seven weeks old when we received advice from fellow Russians, as we came to call ourselves after twenty years in the US. They had two kids in elementary school and when they shared their parenting philosophy, Sioma and I listened.

“We don’t do kids birthday parties,” they said. 

Birthday parties were a giant waste of time, they said. Treated as mandatory by middle-class Bay Area parents, no matter the racial or ethnic background, these utrenniki were all alike: a bouncy house at a playground, pizza, cake. One couldn’t drop the children off but had to hang out and talk to the adults. If you couldn’t sustain a conversation about baseball scores or local politics, forget it. “Remember how it was back home?” the dad asked.

TO CONTINUE READING: https://themuseumofamericana.net/2023/11/07/americana-stories-the-food-court-fiction-2/

Quieter Than Water, Lower Than Grass: Growing Up Afraid in Russia, my Essay in Narrative Magazine

I’m deeply grateful to my friends at Narrative Magazine for publishing a personal essay that was born as a reaction to the news of Russia’s new round of war in Ukraine. As so many people around the world, I watch the developing news with horror and with absolute certainty that Putin must be stopped.

On February 24, 2022, the day Putin ordered Russian forces to launch a full-scale invasion of Ukraine, I turned forty-three years old. As Ukrainians began to mount a fierce response to the aggressor, watching the bombs fall from afar, I was astonished and awed by their courage and determination to stop Putin’s army. I was also from-the-bottom-of-my-heart grateful. Like many of my peers who grew up in Russia, I have spent most of my life afraid of violence. I have not had the courage to face my fear but instead tried to outrun it.

I was born in 1979, in Leningrad, to a Jewish family. At about eight years old, when I decided I was old enough to pick up the family’s telephone, I took a call for “Nikolai Dmitrievich.”

https://www.narrativemagazine.com/issues/winter-2022/nonfiction/quieter-water-lower-grass-growing-afraid-russia-olga-zilberbourg

Particular thanks to editors Carol Edgarian and Mimi Kusch and to Jack Schiff for working with me on this publication.

“Hold Your Breath Until the Future Comes” published in The Bare Life Review

I’m very happy to have a longer story of mine published in the new issue of The Bare Life Review, a magazine for immigrant and refugee writers. Issue number 4 (they are published annually) has a particular focus on climate change. I’m deeply grateful to Maria Kuznetsova for her insightful edits that helped this story to become more dynamic.

The buzzer rings. The baby must’ve felt the quake in my body. He loses the nipple and screams. I’d passed out for a few minutes, but I’m certainly awake now, and I too want to scream. Did the baby’s diaper leak on my stomach just now, or is it sweat and breastmilk pooling between us?


The air ventilation system broke in my building a few days ago. It’s June in Brooklyn, and the heat is unbearable. I nursed Anton on the couch in the living room, and my breasts are covered in liquid. He’s tired, unhappy. It feels like the two of us are bearing the brunt of the global warming, and there’s nowhere to run.

The buzzer rings again.

https://barelifereview.square.site/product/tblr-vol-4/1?cp=true&sa=true&sbp=false&q=false

The Bare Life Review is a gorgeous print publication. To continue reading, please buy the mag!

No Horse Required published in CALYX

So proud to have a story in the current issue of CALYX. I wrote the first draft of “No Horse Required” in August 2008, that’s 12 years ago! Two years ago, the editors of this magazine requested edits, and one year ago, they accepted it for publication. A version of this story appeared in my 2010 Russian-language collection. For context, the story opens in 1992, and altogether it’s been quite a journey!

When I was thirteen years old, I yearned for a passionate and committed friendship modeled after the books I was reading. Never mind that I was a girl and that, in these books, friendship was reserved for a particular relationship between boys and men. These books were standard fodder for earnest Soviet children, complemented by selections from the international library: The Three Musketeers, Ivanhoe, The Pathfinder. I searched for blood friends, for true soul mates among my classmates, but the boys preferred computer games and the girls wanted to watch American movies.

https://www.calyxpress.org/shop/vol-321/

The issues are available on sale through the mag’s website. I have a few copies, DM me if you want one.

Distancing Essay in The Believer

Some of my best writing has originated from prompts. Writer Daniel Levin Becker, a member of OULIPO, has provided at least two of them. The most recent piece was for the column he’s doing at The Believer Magazine called Distancing: A Homebound Registry of Other Places and Times and the Albums That Take Us There. Here I wrote about being twenty and feeling lonely as an international student on the campus of Rochester Institute of Technology.

Sheltering in place is making me sentimental, I fear. This conversion project has been on my to-do list for a decade, and suddenly I’ve made the time for it, so now I’m listening to Goodbye Yellow Brick Road and it’s 1999 and I’m on the campus of Rochester Institute of Technology, a former farm that still sounds like a farm at night. I can hear all kinds of insects whose names I don’t know in English or in Russian, because—well, this is a different continent from the one I grew up on, and surely these are different insects. I have no idea. I’m studying business. It’s July, two in the morning, and I’m circling the athletic field with headphones in my ears.

https://believermag.com/logger/distancing-7-goodbye-yellow-brick-road/

Read the rest of my essay and don’t miss the other pieces in this column, taken together they make for an amazing musical mix.

“How to Survive Shabbat Dinner,” a new story

My story “How to Survive Shabbat Dinner” appears in 580 Split, an issue subtitled “Message Undeliverable.” Read it here!

Spatzi escaped from East Berlin two weeks before the wall came down. This has been the grounding irony of her life. It’s nearly thirty years later, and she lives in San Francisco, one of the most expensive cities in the world, and drives a ridesharing car. Her favorite windshell jacket has turned from brown to puke-green from sun exposure. But hey, it now better matches the upholstery of the car seats.

Once in awhile she thinks about moving back to Berlin.

https://580split.org/#howtosurviveshabbatdinner

Did the Russian Wizard of Oz Subvert Soviet Propaganda?

I wrote for LitHub about one of my favorite books growing up.

Volkov’s Kansas is populated by poor farmers, but despite of it—or, in fact, because of it—it’s a friendly place. Volkov leans on the political ideas of the Communist International (Comintern) movement, particularly popular before in the 1930s Stalin began executing its members. Comintern was officially disbanded during World War II, but some of its ideals were allowed to live on. As children, we were taught to believe that all poor people of the world were united in their strife against the wealthy bourgeois exploiters, whether these poor people lived in Kansas or in Ust-Kamenogorsk, Kazakhstan, where Volkov was born. From her house, Ellie can see the houses of her equally poor farmer neighbors; they are her friends who play with her and share with her the little they have. To us young readers, Kansas seemed in fact so wonderful that even in the middle of Cold War, we dreamed of going there as though it itself was the Magic Land.

Read the rest of this piece on LitHub.

Pre-order my book!

My book, LIKE WATER AND OTHER STORIES, is now available for pre-order. You can buy it through my publisher’s website by clicking here, or find it on Amazon. The publisher is now running a pre-order discount. The book will be shipped out close to its publication date, which is September 5, 2019.

Pre-ordering the book is an important part of the publishing process that helps to build enthusiasm for the work among all the parties involved, from publisher to book reviewers and the reading public. More specifically, it gives the publisher the idea of how many books to actually print. If you want to support an author, pre-ordering a book (and later writing a review on Amazon or Goodreads or anywhere else) is one of the best ways to do that.

Thank you!