Natalia Malachowskaja’s fiction on Punctured Lines

Publishing this story on Punctured Lines is one of the top highlights of my career as an editor so far. This publication was many years in the making. Many of my friends know Malachowskaja’s name well: she is legendary in the Soviet feminist community as one of the founders of a samizdat magazine Woman and Russia. As a result of this publication Malachowskaja, together with her fellow co-founders, was exiled from the USSR back in 1980. She has settled in Austria and has been writing and publishing books of fiction and non-fiction as well as participating in the art scene.

I believe this is her first work of fiction published in the English translation. The story, written in 2000s, fictionalizes some of her experiences from the 1970s that stood behind her feminist work. Don’t miss!

Quieter Than Water, Lower Than Grass: Growing Up Afraid in Russia, my Essay in Narrative Magazine

I’m deeply grateful to my friends at Narrative Magazine for publishing a personal essay that was born as a reaction to the news of Russia’s new round of war in Ukraine. As so many people around the world, I watch the developing news with horror and with absolute certainty that Putin must be stopped.

On February 24, 2022, the day Putin ordered Russian forces to launch a full-scale invasion of Ukraine, I turned forty-three years old. As Ukrainians began to mount a fierce response to the aggressor, watching the bombs fall from afar, I was astonished and awed by their courage and determination to stop Putin’s army. I was also from-the-bottom-of-my-heart grateful. Like many of my peers who grew up in Russia, I have spent most of my life afraid of violence. I have not had the courage to face my fear but instead tried to outrun it.

I was born in 1979, in Leningrad, to a Jewish family. At about eight years old, when I decided I was old enough to pick up the family’s telephone, I took a call for “Nikolai Dmitrievich.”

https://www.narrativemagazine.com/issues/winter-2022/nonfiction/quieter-water-lower-grass-growing-afraid-russia-olga-zilberbourg

Particular thanks to editors Carol Edgarian and Mimi Kusch and to Jack Schiff for working with me on this publication.

Bananas for Sale

One of the stories from my upcoming collection Like Water has been published in Scoundrel Time, an online literary magazine that began as a reaction to forces that attempt to fracture civil society. Here’s the extract from this piece:

The bananas were rotting on the factory floor outside of St. Petersburg. In early October, the temperature inside the nearly abandoned building held at just above freezing, too cold for the tropical fruit. Banana skins were greying, developing dark spots. They would survive just another week.


Three metric tons of neatly packed boxes, colorfully labeled and perforated with holes so that the fruit could breathe, towered on both sides of the assembly line. Until the previous winter, the factory manufactured sixty-three tractors a day; then production stopped. The bananas were a new venture of the young would-be acting director…

Read the rest of the story here.

“To Understand Russia’s Complexities, Turn to Its Contemporary Literature”

Epiphany published a blog post I wrote, highlighting three fascinating recent translations from Russian.

A FRIEND’S TEN-YEAR-OLD SON son recently came up to me at a party to ask, “You’re from Russia, right?” Sensing caution in my assent, the boy hesitated before asking the next question, clearly trying to phrase it in a way that wouldn’t cause offense but would express his curiosity. He finally came up with, “It’s a very violent place, isn’t it?”

Whenever I’m asked to summarize the entire country of Russia at a party, I invariably recall a scene from a popular Soviet movie…

Click here to read the piece.

Teffi’s Memories

“Teffi, nom de plume of Nadezhda Lokhvitskaya, was born in 1872 into a prominent Russian family. Following in the footsteps of her older sister Maria—poet Mirra Lokhvitskaya—Teffi published poetry and prose from the age of 29. She soon rose to fame by practicing a unique brand of self-deprecating humor and topical social satire. In her 1907 hit one-act play The Woman Question, subtitled A Fantasy, Teffi imagined a world in which a women’s revolution against men achieves a full role reversal. Women come to occupy the prominent political, military, academic, professional, and bureaucratic roles, while men are subjugated to the childcare and household management tasks. Though the play’s ending largely dismisses this scenario and trivializes the feminist cause, through humor, the piece makes the point that bad behavior—infidelity, sexual harassment, excessive drinking, pettiness—is a function of social status rather than of biological sex.

By the time of the Bolshevik revolution in 1917, Teffi had nearly a dozen books to her name, and new printings of her story collections sold out instantly. With Lenin at the helm of the government, her fame became a liability. Memories: From Moscow to the Black Sea opens with Teffi being talked into going on tour to Ukraine (then outside of Lenin’s domain)….”

Read the rest of this review in The Common.