My story “Helen More’s Suicide” has been published in the current issue of Feminist Studies and is available on JSTOR. The piece was originally inspired by the biography of Carolyn Gold Heilbrun, a scholar and a feminist who wrote mystery novels under pseudonym Amanda Cross, though in drafts the association became very loose.
Here’s the beginning of the story:
My retired colleague Marguerite called to tell me of Helen More’s suicide. “Of all the sad, ludicrous things people do to themselves!”
She invited me over. “Thursday night, as usual. I could use the company of younger people.”
It had been about a year since I’d first been invited to these Thursdays—monthly literary and musical soirees Marguerite hosted in her living room. Helen had been a regular at Marguerite’s for several decades; the two women were close contemporaries and each a celebrity in her own field. Helen was scholar of the English Romantics at the same university where Marguerite had taught Flaubert, Zola, and Balzac, and where I was now a junior faculty member in the English department. I’d heard of Professor More long before I met her: she lectured at the university from the 1960s until being forced into retirement in 2006 ostensibly
due to age. She had a reputation as a militant feminist who eagerly engaged in battles about appointments and promotions, and her politics could have had something to do with it.
To read the rest, log in via your library (through JSTOR) or buy a copy here.
Welcome to The Cove, a new Bay Area literary and art magazine — it enters the scene with the issue centered on Fire.
I feel privileged to have four (non-fire related) very short stories featured in this issue, alongside the work by Genine Lentine, Susan Griffin, Dan Coshnear, and so many amazing artists and writers.
Московский автор и критик Данила Давыдов написал рецензию на мою книжку Хлоп-страна!
Говоря об этих рассказах как о психологической прозе мы не удаляемся от истины, но делаем ее более скудной, поскольку само вышеприведенное определение можно применить решительно к чему угодно. Важнее описать контуры того мира, который создает Гренец. Перед нами множество персонажей, женщин и мужчин, эмигрантов той или иной степени адаптированности к новым условиям, причем отнюдь не только (э)мигрантов из постсоветского пространства, – но и вполне местных, чаще молодых людей, но и зрелых, даже пожилых, и малых детей. Этот мультикультуральный и очень насыщенный гулом присутствующих «я» со всем разнообразием их опыта не производит впечатления ни утопии, ни антиутопии. Часто это пластмассовый мир, отчужденный от человека или, напротив, удобно-консьюмеристский, но бывает что и романтический, и насыщенный возвышенными смыслами, порой даже безбашенно-контркультурный.
Читать рецензию целиком тут.
А тут можно купить книжку.
I’m delighted to have a short story of mine, “Doctor Sveta,” in the current issue of Alaska Quarterly Review. Here’s the opening,
Doctor Sveta was twenty six years old when the Navy commissariat summoned her to Leningrad and put her on a cargo ship among a motley crew of agronomists, agricultural engineers, livestock breeders, and tractor drivers, none of whom knew where the ship was headed or how long the journey might take. Her fellow passengers looked as confused at finding themselves confined to a seafaring vehicle as Doctor Sveta felt. No tractors accompanied them; not a cow, not even a single chicken. The agronomists and tractor drivers were healthy young men and a few women, two of them visibly pregnant. Doctor Sveta had been trained as a surgeon in Leningrad; she assumed it was in this capacity she’d been recalled from her post at a hospital in Minsk, Belarus. Besides the ship’s medic, there were no doctors aboard and not even a basic medical facility. Doctor Sveta worried she’d have to embrace a crash course in obstetrics.
Half a century later, as she tells me this story, Doctor Sveta . . .
This is a print magazine. To read the story, please buy the issue.
Here’s an experimental short, recently published in a brand new magazine. Welcome, New Reader Review! Download the copy of the magazine with my story here. (My story begins on page 204).
Martian Federation’s General Consulate in San Francisco: FAQ for Citizens
I. General Questions.
1.1. What is a consular district? I currently reside in Utah. May I seek assistance from the consulate in San Francisco?
1.2. Why am I unable to reach the consulate by phone?
II. Passport of the Martian Federation.
2.1. Must I apply for my passport in person? May I apply for my Martian passport by
2.2. How long does it take to receive my Martian passport?
2.3. What are the advantages of carrying a biometric passport?
2.4. I have bad handwriting. May I apply for my Martian passport electronically?
2.8. My name has been poorly translated to Martian. What do I do?
2.6. I don’t have a Martian passport. May I enter Mars with my American passport?
2.7. I was born on Mars but have lived in Utah my entire life. I don’t know the Martianlanguage. May I fill out the application for my Martian passport in English?
IV. Registration of Legal Documents.
4.1. Will the consulate register a marriage between an American and a Martian?
4.4. My groom has a very demanding job and is very busy. We are unable to come in
person to the consulate in San Francisco to register our marriage. What do we do?
To continue reading, download the issue.
the museum of americana also published this story that’s near to my heart. I wrote it several years ago and kept tinkering with the ending — I didn’t want the connection between the two parts be too obvious, but I did want there to be several clear lines of connection, plus something else. After all this tinkering, it sure feels good to see this story out there.
“In sixth grade, I declared my love to a boy by slipping a homemade paper doll of David Bowie as Ziggy Stardust between the pages of the natural science homework I was giving him to copy. With the bright-eyed earnestness of first love, I believed I staked my entire future on the piece of cardboard decked out with a paper jumpsuit, a detachable red wig, and tall red boots—the details of the tricky costume carefully copied off a picture in TIME magazine.
“Thanks,” said Pete, grabbing the science notebook from my hands. “You’re a pal. I’ll give it back tomorrow.”
At home, when I’d been planning this handoff, I must’ve imagined it in slow motion and with deep significance to each word and gesture. . . .
To continue reading, go here.
My story Generosity is up on the museum of americana. I wrote this story some years ago, after attending an event, dedicated to Brazilian literature. Hearing the questions the visiting writers were being asked set my imagination reeling.
“The two Russian writers were young—billed as under forty—but in the month of touring the United States, they’d acquired heft and world-weariness. Seven days a week they answered questions: What does new Russian writing offer readers in the United States? and Do you see yourself continuing the great Russian novel tradition? . . .”
Continue reading here.