In this pioneering books, researches Lisa Capps and Elinor Ochs look at the narrative on a woman suffering from agoraphobia and study the way she authors her narrative and the way her narrative comes to form her reality.
The linguistic shaping of sufferers’ narratives has been generally glossed over, with the result that the therapeutic effect of telling one’s life stories with another person remains largely a mystery. Psychoanalysts tend to look through narrative rather than at narrative to identify underlying emotional dynamics and formative experiences. How a teller sculpts her tale–the grammatical form and the sequencing and intertwining of pieces of setting, enigmatic experiences, and outcomes–is not a focal point but rather a medium for exposing a deeper story.
We share the view that stories can offer a powerful medium for gaining insights not fully accessible to the narrator. Indeed we endorse the perspective, held by a number of philosophers and literary critics, that narrative creates stepping stones to self-understanding. To borrow the words of Vaclav Havel, narrative allows us to confront ourselves, “to return in full seriousness to the ‘core of things,’ to pose the primordial questions again and again, and from the beginning, constantly, to examine the direction [we are] going.”
introduction by the late poet Bill Berkson.
