Celebrating San Francisco Writers Workshop and Noisebridge

Many of you have heard me talking about my “Tuesday night writers group.” Back in 2006, I started sharing my fiction with some of my comparative literature grad school friends, and one of them pointed me to this public, drop-in workshop that at the time was meeting in the basement of an art gallery near Union Square in San Francisco. The first time I showed up, the moderator, Tamim Ansary called on me to read my story outloud, and as I did so, something clicked: I didn’t recognize my own voice. I’d been reading and thinking about voice in literature from a scholarly point of view, but here I was experiencing my own voice as an embodied thing. It felt stilted, unsure of itself. I could do it better, differently. I could learn. It didn’t hurt that Tamim actually liked whatever it was I read and encouraged me to come back.

This summer marks ten years since I, Judy Viertel, and Kurt Wallace took over from Tamim in moderating the San Francisco Writers Workshop, with Monya Baker joining us later. These days, the workshop is meeting at a hackerspace in the Mission, Noisebridge, and this coming Friday, June 6 at 7 pm, we’ll be gathering there to celebrate the workshop and to fundraise for our venue. Noisebridge allows us space to meet for free, while their own rent is sky high. In addition to hosting our group, Noisebridge also provides a stage for Lit Crawl and other literary gatherings throughout the year. I’ve been encouraging everyone I know to donate what they can to help support this organization that contributes to the vitality of San Francisco’s literary scene.

And please come party with us on Friday! Tamim Ansary himself will be there, presenting his new and very topical book, TRUTHER NARRATIVES. Current co-moderator Monya Baker will also read, and I’m so proud to introduce a few of our current regulars. We will have a book raffle, a storytelling game, food, and an opportunity to tour Noisebridge. I made some nifty postcards and clipboards — you will want one!

Three additional items:

* Check out this YouTube recording of a conversation about literary translation I hosted back in April for WTAW Press. Featured here are Ilze Duarte, Katherine E. Young, Jenny Bhatt, Boris Dralyuk, and Yilin Wang — translating work from Brazilian, Russian, Gujarati, and Chinese. Do email me if you read any of the books mentioned. I’m so curious to hear what makes an impression.

* My publisher, Peg Alford Pursell (whom I first met at the San Francisco Writers Workshop) asked me to judge the second annual Kevin McIlvoy Book Prize. The results are in: the winner is THIS IS ALSO LIFE by Elle Therese Napolitano. This book is an intimate portrait of two women affected by domestic violence to various degrees. Its inventive structure allows a realistic representation of the aftermath of violence and hopefully will be appreciated by other readers when the book is published by WTAW Press. Keep an eye out for it!

* Another group of the writers workshop regulars are putting together a new literary reading on Sunday June 8 at a wine bar in the Mission. Literary scene in SF is clearly *on fire*! Please welcome Public Words! I’m planning on being there. Come hang out.

With appreciation for you all,

Olga

Introducing New Novels: Where Local Meets Global

How does one celebrate finishing a draft of a novel? Here’s my plan: I’m organizing an event with a few writers I deeply admire and whose books share some of the sensibilities that dictated my own. Transplants all, we write about the places that were important — perhaps, foundational — to us, churning memories into new stories. Please join me on August 6 for this ONLINE reading and conversation. Register on EVENTBRITE to receive the Zoom link.

Tamim Ansary’s SINKING THE ARK is set in Portland, Oregon in 1973, “Before it became Portlandia.” Barbara Barrow’s AN UNCLEAN PLACE is anchored to the campus of an experimental middle school in Atlanta, Georgia in 1992. In HOPE YOU’RE SATISFIED, Tania Malik captures Dubai during the weeks and months of uncertainty as Saddam Hussein’s army invades Kuwait in 1990, and the world awaits US response. Alicia Rouverol’s debut DRY RIVER is set in California’s suburban Mill Valley during the housing market bust of 2008. Moderator Olga Zilberbourg’s work-in-progress, DON’T SHUT THE DOOR is set in 1990 in Leningrad, USSR, just before it falls apart.

Please support writers and literature by buying books:

Tamim Ansary, SINKING THE ARK

Barbara Barrow, AN UNCLEAN PLACE

Tania Malik, HOPE YOU’RE SATISFIED

Alicia Rouverol, DRY RIVER

Olga Zilberbourg, LIKE WATER AND OTHER STORIES

Tamim Ansary is the author of The Invention of Yesterday, Destiny Disrupted, Games without Rules, West of Kabul, East of New York, among other books. For ten years he wrote a monthly column for Encarta.com, and has published essays and commentary in the San Francisco Chronicle, Salon, Alternet, TomPaine.com, Edutopia, Parade, Los Angeles Times, and elsewhere. He has appeared on the Oprah Winfrey Show, Bill Moyers, PBS The News Hour, Al Jazeera, and NPR. Born in Afghanistan in 1948, he moved to the U.S. in 1964. He lives in San Francisco.

Barbara Barrow (she/her) is the author of AN UNCLEAN PLACE (Lanternfish, 2023) and THE QUELLING (Lanternfish, 2018), which was selected as a Gold Winner for Literary Fiction in the Foreword Indies Awards. Her short stories have appeared in FAULTLINE, SOUTHERN HUMANITIES REVIEW, CIMARRON REVIEW, and elsewhere, and she also publishes literary criticism in environmental humanities, women, gender, and sexuality, and nineteenth-century literature. Originally from Atlanta, GA, she has lived in New York, Germany, St. Louis, Pittsburgh, and now Lund, Sweden, where she teaches literature and writing and lives with her husband, daughter, and pets.

Tania Malik is the author of the novels HOPE YOU ARE SATISFIED (May 2023, Unnamed Press) as well as THREE BARGAINS (W.W Norton) which received a Publishers Weekly Starred review and a Booklist Starred review.  Her work has appeared in Electric LiteratureOff-assignmentLit Hub, Salon.com, Calyx JournalBaltimore Review, and other publications. She lives in San Francisco’s Bay Area. More at www.taniamalik.com.

Alicia J Rouverol (she/her) is Lecturer in Creative Writing at the University of Salford and is the author DRY RIVER (Bridge House Publishing, 2023) and co-author of I WAS CONTENT AND NOT CONTENT’: THE STORY OF LINDA LORD AND THE CLOSING OF PENOBSCOT POULTRY (SIU Press, 2000), favourably reviewed in the New York Times and nominated for the OHA Book Award. Her stories, nonfiction and poetry have appeared in THE MANCHESTER REVIEW, THE INDEPENDENT, and STREETCAKE, among other journals. A 2008 recipient of the Elizabeth George Foundation writing grant, she received her Creative Writing MA and PhD from University of Manchester’s Centre for New Writing (2013; 2017). In 2019 she was an inaugural Artist in Residence at the John Rylands Library to develop a short story collection themed on place and migration, recently accepted by Bridge House Publishing. DRY RIVER is her first novel.

Olga Zilberbourg‘s first English-language book, a collection of short and flash fiction, LIKE WATER AND OTHER STORIES, was published by WTAW Press in 2019. It explores “bicultural identity hilariously, poignantly,” according to The Moscow Times. It also explores themes of bisexuality and parenthood. It received warm reviews from a number of publications and was named a finalist in the 2019 Foreword INDIES Book Award. Zilberbourg’s fiction and essays have appeared in Lit Hub, Electric Literature, Bare Life Review, Narrative Magazine, World Literature Today, Alaska Quarterly Review, and others. She has published four collections of stories in Russia.