To Lit Crawl and Beyond!

Dear friends,

As many of you know, October is Litquake month in San Francisco — our annual literary festival is already underway, with many entertaining, educational, and inspiring events. On October 25 (Saturday), the festival ends with Lit Crawl — a literary pub crawl through the Mission neighborhood.

I’m participating in two events. In Phase 1, from 5-6 pm, find me at Ruth’s Table (3160 21st St), with my fellow immigrant writers from the former USSR. This year, our theme is “Owning Fear, Reaching for Freedom.” We’re reflecting on how our community experience of living under a totalitarian regime has prepared us for the current political moment. And though the theme is as grim as the times, I promise you that the event won’t be. Events with this group of writers and translators are a wonderful occasion to celebrate community and each other’s work. We’re here to support and encourage each other to tell more stories. Too much has been silenced and swept under the rug. We’re trying to bring it all out in the open. It’s a joyous occasion!

A flyer displaying ten author's photos alongside  three quarters perimeter. In the center left, in black, title of the event:
OWNING FEAR, REACHING FOR FREEDOM: POST-SOVIET WRITERS AND TRANSLATORS SPEAK OUT
on the right, in red: LIT CRAWL SAN FRANCISCO
Below, in Blue:
Sat OCTOBER 25TH 5-6 PM
AT RUTH'S TABLE
2160 21st Street
Sponsored by California Humanities and Ruth's Table

Then, for Phase 2, from 6:30 to 7:30 pm, I head to Noisebridge (272 Capp Street), where I will continue to celebrate my writers group. Every Tuesday night, we gather together to read each other our story drafts and to give and receive feedback on our work. This is how we learn to build stronger, more clear and nuanced, stories.

During this event, five of our amazing writers will share their work and tell us about how they’ve revised it after receiving feedback. Then, we’ll ask our audience to critique a story. Guaranteed laughs! (And also maybe it will make revision more approachable to people.)

An image of a blackboard with a stack of yellow pencils in the foreground. Text in yellow and white reads: 
San Francisco Writers Workshop Presents
Five writers read their stories and share the feedback that made them great.
Then YOU get to critique a juicy story, Live!
Below:
Author's portraits with signatures:
Beverly Parayno
Peng Ngin
Tim Sullivan
Jo Beckett-King
Tony Tepper

Below: We've Got Notes for You!
October 25, 2025
Lit Crawl, Phase II, 6:30 pm
Noisebridge, 272 Capp Street

Looking beyond Litquake, on Saturday, November 8, at 6 pm, I will be reading at Telegraph Hill Books alongside my friend Bart Schneider, who has just published his novel GIACOMETTI’S LAST RIDE, about the final romance of a famous Swiss sculptor, Alberto Giacometti. It’s a gorgeously produced book with illustrations by a well-known Sonoma-based artist, Chester Arnold. Bart will introduce the novel, and I will read some of my new work, and then we can talk about books and hang out. Join us!

In other news, my translations from the work of Olga Bragina have received two recent honors.
* Editors of ANMLY nominated the poems they published for a Pushcart Prize.
* One of the poems published by Consequence, has been chosen to appear in Best Literary Translations 2026 anthology, forthcoming from Deep Vellum Press. So delighted! Olga Bragina’s work deserves more recognition.

This summer, Yelena Furman and I have been able to add several publications to Punctured Lines, our feminist blog on post-Soviet and diaspora literature. We pride ourselves in amplifying work by writers from underrepresented groups in our literary space. Dive in:
* We Have to Go Back: Speculative Fiction, Nostalgia, and the Ghosts of Bookshelves Past, Guest Essay by Kristina Ten
* Queering Peripheries: Lara Vapnyar’s “Lydia’s Grove”: Soviet-Born: The Afterlives of Migration in Jewish American Fiction by Karolina Krasuska
* Seven Forty: Memoirs of a Jewish District Attorney from Soviet Ukraine by Mikhail Goldis, translated, edited, and with an Introduction by Marat Grinberg
* Graphic Novels and Memoirs of Soviet Trauma

(Apologies for the TOY STORY reference in my subject line. It’s stuck in my brain and won’t go away.)

With appreciation for you all,

Olga

Litquake Events

Once again, it’s Litquake season in San Francisco! My schedule is, unfortunately, being hijacked by the fact that my kids’ amazing local public elementary school, Harvey Milk Civil Rights Academy, is in peril as a result of the district’s financial mismanagement, and in the last 10 days I’ve been involved in helping to organize 2 rallies and multiple other initiatives to try to #saveourschools.

But! Litquake is not to be missed and there are so many exciting and important events that are on the schedule. Check it out.

I’m participating in three events. The first will be this coming Monday, 6:30 pm at 297 Page Street. Called Golden State: Stories about Life on the Left Coast, it’ll feature about 15 readers, including me, performing our flash fictions. This event is currently sold out on Eventbrite, but don’t let that stop you. Tickets are free, and Eventbrite isn’t that reliable as a predictor of attendance for free events. Come!

October 26, the last day of the festival, is also when Lit Crawl happens: starting at 5 pm that Saturday, literary readings will take over the Mission neighborhood. I am helping to organize two events.

At 5 pm, come to Manny’s for a reading we’re calling Passionate Thinking in Diaspora to hear a fantastic group of writers who were born in Ukraine, Russia, and Moldova. This is our third time doing an event at Lit Crawl, and we’re excited to return with all new stories. Find more details about the event, including our bios, on Punctured Lines.

To continue Lit Crawl extravaganza, I invite you to follow me to Noisebridge, where at 6:30 pm on October 26, I’ll be helping to emcee a presentation of the San Francisco Writers Workshop–the longest running writing workshop probably anywhere!–featuring our current moderators and regulars, with stories spanning different genres, centuries, continents (including imagined ones). Can’t wait to hear and celebrate this crew. Find more details on the San Francisco Writers Workshop’s page.

And yes, I’m heading to the afterparty at the end of the festival. Dunno if there will be any awkward dancing this year, but I promise to contribute my share of awkward yet impassioned conversation on any topic you like. Including, yes, the school district, omg.

Olga

Lit Crawl: Building Community in the Face of War

Bay Area friends — come out to our Lit Crawl event on Saturday, October 21, 5 pm at 518 Valencia.

This event was a long time in the making. As Ukraine approaches its 600th day of defending its sovereignty against Russia’s assault, it remains paramount to continue to tell our stories and to refute the propaganda narratives that are festering in the social media spaces.

I’m really looking forward to hearing the poems, stories, personal essays and more from this group of Bay Area writers with deep personal connections to both Ukraine and Russia.

Lit Crawl is a part of San Francisco’s Litquake festival going on right now. Make sure to check out the full program and to participate in other events. It’s an amazing experience!

An Evening with Andrey Kurkov in San Francisco!

I am delighted to have the opportunity to interview one of Ukraine’s best-known authors, and an author whose work I’ve been admiring for so many years, Andrey Kurkov, as a part of Litquake’s year-round series The Epicenter. Andrey Kurkov has been one of the most vocal voices in the West in support of Ukraine. He has traveled widely in Ukraine and the world, collecting stories and communicating the realities of this war in the premier English-language newspapers and magazines. He will be presenting a new book called DIARY OF INVASION (Deep Vellum Press) that collects some of these stories. As horrific as Russia’s war on Ukraine has been, Kurkov’s point of view is illuminating and delivered with kindness and respect for the readers. It’s a necessary book to read right now.

I expect this event to be sold out–don’t wait to reserve your tickets.

My friend, editor Briony Everroad introduced me to Kurkov’s work many years ago. Briony worked with Kurkov when his novel Death and the Penguin was first translated to English by George Bird and published in the UK to great success. It’s a hilarious and profound novel about the aftermath of the USSR’s fall, as seen through the eyes of one Kyiv-based journalist. Following Kurkov’s work over the years, I had a chance to review his novel Grey Bees last year for On the Seawall. I was so pleased to see that this novel and its translator, the amazing poet and man of letters, Boris Dralyuk won the National Book Critics Circle Prize a couple of weeks ago. Huge congratulations to all.

Come! This event is free, with recommended donations. (And please donate if you can!)

April 7, 7 pm

Hotel Emblem, San Francisco

RSVP!

Litquake Panel on Writing Communities

The world is on fire, cataclysmic events developing by the day and by the hour. As I am working on a novel, I feel that to do my job well, I have to turn off all the news for long chunks of time. My novel is set in the year 1990, and current news are not helpful when I’m trying to finish my draft. Yet I don’t want to hide my head in the sand and miss an opportunity to contribute today and now, whenever my particular intersection of skills can be of use.

I know many writers are trying to balance these impossible contradictions and demands on our time. Finding time to build community has never felt more important. For writers in San Francisco, come to this Litquake event for info about awesome local writers communities. I’ll be representing the San Francisco Writers Workshop — a free community workshop that meets at Noisebridge Hackerspace at 272 Capp Street on Tuesday nights 7-9 pm.

Pre-order tickets on Eventbrite.

Upcoming Reading: Lit Crawl San Francisco

My next reading with fellow authors and friends of WTAW Press is coming up this Saturday! I’ll be reading a short (and probably funny) piece from LIKE WATER AND OTHER STORIES.

Saturday October 19, 2019 6:30pm – 7:30pm
Third Haus 455 Valencia St, San Francisco, CA 94103, USA

PLEASE NOTE THAT THIS EVENT HAS HAD TO BE RELOCATED FROM THE VENUE LISTED IN THE PHYSICAL PROGRAM AND ON THE MAP.

Online Lit Crawl Schedule has the right information!

Aspiring Writers Beware: The Art of the Short Story Panel, Sunday

I’m one of the panelists for this event coming to San Francisco’s Litquake this Sunday.

Sunday October 13, 2019 1:00pm – 2:15pm
California College of the Arts, Writers’ Studio195 De Haro St, San Francisco, CA 94103

Co-presented by MFA Writing at CCA

“Short stories are tiny windows into other worlds and other minds and other dreams.” —Neil Gaiman

Join four short fiction authors as they talk about their craft. Featuring Olga Zilberbourg, Keenan Norris, Mimi Lok, and Beth Piatote. Moderated by Peg Alford Pursell. $12 adv / $15 door

More details, including everyone’s bios, on Litquake’s website.

Upcoming readings

I will read my story “Companionship” that won the Litquake fiction prize at a Lit Crawl event, “Writers on the Verge” will take place on October 14th, at 5 pm, at Samovar Tea Lounge on Valencia Street. Full details are here.

On Tuesday, October 10th, at 7 pm, my friend and colleague Alia Volz organizes a reading called “Straight, No Chaser: Writers at the Bar” at the iconic Vesuvio Cafe in San Francisco’s North Beach (its fame goes back to the Beat Generation). This reading features contributors to Golden State 2017: Best New Writing from California (Outpost19), an anthology where one of my stories has appeared. I will read an excerpt from my story. The special guest is Charlie Jane Anders!

Litquake prize!

My short-short story “Companionship” won San Francisco’s Litquake’s short story prize! As a part of the prize, I will read it during an event on Saturday October 14 — more details about this reading to come. This is a very recent story that hasn’t yet been published anywhere. Here’s a teaser opening,

At three years old Michael did decide to return to his mother’s stomach. His mother shifted things around and made room under her heart. She lived a mostly stationary lifestyle, and so accommodating Michael was no problem. In fact, she appreciated the companionship…