Berkeley Reading and New Publications

Next week, February 26 at 7 pm, I’ll be reading my work as a part of a long-standing Lyrics & Dirges reading series at Pegasus Books in downtown Berkeley (2349 Shattuck Ave).

I have neither a lyric, nor a dirge, but I might read the latest version of my novel opening, to see how it runs. Hope to see some of you there!

Whether or not you can make it, do read a story of mine just out from Paper Brigade Daily, “Dodo’s Graduation.” I drafted this fiction in June 2021 and workshopped it on Zoom, and the piece is a reflection on the aftereffects of COVID-era lockdown, the San Francisco version.

Thanks to those of you who were able to attend my Zoom conversation with Marat Grinberg about his book The Soviet Jewish Bookshelf (Brandeis UP), hosted by the Oregon Jewish Museum and Center for Holocaust Education. For those of you who weren’t able to make it, here’s the YouTube recording — where I got to gush about some of my favorite books growing up. The list of all the books mentioned is in the comments below.

Last but not least, here’s my latest book review — and one of the trickiest I’ve ever written: The Lady of the Mine by Sergei Lebedev, translated by Antonina W. Bouis, in On the Seawall. Boris Fishman reviewed this book for the New York Times, and his piece is worth reading for the humor, but if you want to know what the book is about, read my piece.

January Event and Recent News

I’ve got a Zoom event coming up that I’ve been working toward for over a year. On January 22, at 5 pm Pacific, I will be in conversation with Marat Grinberg about his book, The Soviet Jewish Bookshelf (brilliantly reviewed in LARB by Yelena Furman), which gave me language to describe my own sense of identity. This event is hosted by the Oregon Jewish Museum, tickets cost $5, and if you register and can’t make it, they’ll send you a recording! And I hope you can make it. The magic of Zoom!

The last few months have been busy for me, and I have a few things to report.

Back in November, a new short story of mine appeared in the Teatles, a fanzine out of Liverpool, England (!). If you’re on Instagram, their feed is all about the Beatles and tea! Yes, I’m excited. Did I mention that my story is being read in Liverpool??

Для моих русскоязычных читателей: смотрите “Ходики”, видео Алексея Зинатулина и АРТотеки Берёзовый сказ по рассказу Ольги Гренец из сборника Задержи дыхание. // Aleksey Zinatulin from Tver created a short film based on my story “The Clock.” First published in English at Tin House, online edition, this story is included in my collection LIKE WATER AND OTHER STORIES (WTAW Press).

My story The Question, published earlier in 2024, received the Editors’ Choice Award from the magazine Scoundrel Time, as well as a Pushcart Prize nomination. Huge thanks to the editors Karen E. Bender and Paula Whyman!

I published four (4!) book reviews in the past two months, some of which took over a year to draft and place. It’s a lot of fun and a lot of work, and I’d be overjoyed if anyone wanted to continue the conversation with me about any of these books:

Lastly, an update about the drama around my kids’ San Francisco public elementary school. The good news is that we were able to push back against the district, and get it to rescind all the school closures. At least for next year. Here’s the Op-Ed I wrote for the Bay Area Reporter about my kids’ experience with our school.

Recent Publications and a Submissions Opportunity

Friends, one day when we’re all old and gray, please remember to ask me what it takes for a Soviet-born Russian speaker to establish herself not only as a writer of English, but also as a translator into English.

Let me just say that I’m exorbitantly proud of myself for publishing my translations in two more US-based literary magazines. I’m so grateful to the Kyiv-based poet Olga Bragina for trusting me with her work and to the editors of the magazines for seeing what I saw in Olga’s poetry. It is so relatable and so heartbreaking.

Here are the links:

Two poems by Olga Bragina in World Literature Today

Three poems by Olga Bragina in Consequence Forum

Those of you who are writers might be interested to know that WTAW Press has asked me to be one of the jurors for their second annual Kevin McIlvoy Book Prize. If you have an unpublished prose manuscript (novels, memoirs, narrative nonfiction, essay and story collections, and hybrid works), the submissions are open until December 31, 2024. Please submit — I’d love to read your work!

As many of you know, WTAW Press published my collection LIKE WATER AND OTHER STORIES. This book turned 5 years old in September — and it’s not too late to buy it, read, and review on Goodreads and Amazon. All comments are always appreciated. Historically speaking, I haven’t always taken criticism well, but you know, I’m learning, and it’s good for me!

Three more links to this month’s publications:

My review of Shahzoda Samarqandi’s delightfully complex novel Mothersland, written originally in Persian and Tajik and translated to English by Shelley Fairweather-Vega from Russian by Youltan Sadykova. To write this review, I had to study up on the history of Soviet cotton production and the Aral Sea disaster.

On Punctured Lines, the blog that I co-run with Yelena Furman, we had two new pieces this month. First, my Q&A with Sasha Vasilyuk, whose novel about a Soviet WWII soldier with a secret Your Presence is Mandatory I highly recommend. Second, Yelena’s Q&A with Michele A. Berdy, a translator and editor extraordinaire who moved from US to the USSR in the 1970s. Wow, does she have stories to tell!