Meet me in Washington, DC; my parents’ novel; and more good things

I’m heading to the East Coast for a conference next week, and am using an opportunity to present my work and (re)connect with writers and readers in Washington, DC area. On December 16 at 6 pm, come to “A Literary Lagniappe,” a reading and open mic by friends of Bergstrom Books, a foreign-language books purveyor in Kensingon, MD.

This event, hosted by a nearby Kensington Row Bookshop (3786 Howard Ave, Kensington, MD), will have a Central and East European focus, and will include original work, translation, and music. As you can tell from the flyer, we’re planning to keep it festive! Please register on Eventbrite and share with friends.

Translator and poet Katherine E. Young might read from her translations of Azerbaijani writer Akram Aylisli. Ena Selimović, Yugoslav-born translator and a co-founder of one of my favorite literary magazines, Turkoslavia, will read from Tatjana Gromača’s novella Black, newly translated. Roman Kostovski, a translator, musician, and publisher of Plamen Press, that specializes in books in translation from Central, Eastern, and Southeastern Europe (and published Aylisli’s PEOPLE AND TREES), might perform some music as well as read! Greg Bergstein, my fellow St. Petersburgian who takes inspiration from both James Joyce and Daniil Kharms might read one of his fictions.

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In other news, check out Lina Turygina’s essay “Thinking Reeds and Foolish Weeds: On Emigration and Adaptation.” In it, Turygina (a Harvard Ph.D. student!) compares my stories with the work of Nina Berberova (!!!) –an iconic writer of the first wave of Russian emigration. “Navigating her position as a bicultural writer, Zilberbourg moves fluidly between languages, omitting details in one version, using grammar creatively in another, and always finding new ways to adapt.” My next story is going to have to feature the burdock plant — I have so many associations!

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As some of you know, in the 60s and 70s, my dad was in a popular student rock band in Leningrad, “The Green Ants.” They performed at his university and also toured the country in the summers as a part of student work brigades.

The members of the band worked with difficult teens in Karelia, built an oil pipeline in Kazakhstan, worked on railway construction, entertained locals at a restaurant on the Kola peninsula, and at nights played rock shows, bringing Western music to Soviet audiences. They also composed their own songs and fell in love and got in trouble with authorities over set lists. Playing rock music in the USSR meant making their own electric guitars, “borrowing” amplifiers from official organizations, and creatively adapting material for approval by the censorship bureaus.

Recently, my parents started taking creative writing classes and transformed my dad’s oral stories about the band into a novel WHEN ROCK-N-ROLL WAS GREEN. The book is now available for sale in Russian–look for it wherever books are sold. And if you’re in San Francisco, come to the presentation at the Richmond Library on Sunday, January 11 at 2 pm. (In Russian language, mostly. I expect songs!)

One last good thing for today: a tiny, three-paragraph-long essay on my recent reading helped me win Jewish Book Council’s Jewish Book Month & The Bet­sy Hotel Writer’s Con­test (scroll for the essay) — and later this year, I’ll be spending a few days at the Betsy Hotel in Miami, working on my new novel.

Los Angeles, Zoom, and new publications

I’m delighted to invite you to a one of a kind event happening in Los Angeles on March 28: a reading at the Wende Museum by eighteen writers and translators from the former USSR. We’re coming together to share our work, to get to know each other, and also to eat Ukrainian food (a Ukrainian food truck is expected!) and to support Ukraine.

Register on Eventbrite and if you can’t come, please share this with your friends in LA. Irina Reyn will be there! Katya Apekina! Kristina Gorcheva-Newberry! Our star translators and poets! Did I mention eighteen readers? Each of them, a star.

Expect humor; tales and poems of sex, identity crises, parenting, cultural intersections, immigration, and war. The Wende Museum is dedicated to art and artifacts from the Cold War era, and they are currently running an exhibit called “Undercurrents II: Archives and the Making of Soviet Jewish Identity,” which aligns so closely to what many of us write about. The museum kindly agreed to stay open late for us, until 6 pm, and we’re encouraging people to get there early so that they can tour the exhibit. So: register!

For friends who can’t make it to LA, I have a Zoom event this coming Monday, March 17, 7-8 pm Pacific. Together with writers Jen Siraganian, former Poet Laureate of Los Gatos, and Christin Rice, author of The ABC’s of Pandemic Parenting (Permutation Press), we will be reflecting on the 5th anniversary of the pandemic lockdown. The lockdown has changed our lives in ways that we still feel today. I find it useful to recall the first day, week, month of it, and so I plan to read from my diary–the notes that I managed to capture in the midst of the insanity. To tune in, register here: https://us06web.zoom.us/meeting/register/M-q9F0MfRimjwisnh0uaLQ

I published two new creative pieces in the past month:

  • “Where does your motherland begin? Does it begin with a picture in a primer, with treasured friends who live down the street? With your mother’s song?”

    Radio Baltica, an Essay, about the teenage experience of growing up during my country’s collapse–it’s all about the music of the era and, of course, The Beatles. Thanks to Tint Journal based in Graz, Austria for publishing this piece. I recorded an audio track, so you can hear me reading this essay out loud. Also included is a link to a Spotify playlist where I collected most of the songs I reference. I limited myself to only one Beatles tunes, to be polite, I guess. Alla Pugacheva is here to enchant!
  • “A seven-year-old girl falls in love with a book and tells herself, I want to read every book in the world.”

    New story: “A Woman of Learning,” in Weavers Literary Review. No link here because this mag is print only for now. I have a couple of copies, so let me know if you want one — or feel free to order and support the publishers. The magazine by Moazzam Sheikh and Amna Ali focuses on South Asian American writing, and they have a very strong curatorial vision. I’m honored to have my story included, especially given that my geographies aren’t an immediate match.

I’m taking a break from book reviewing at the moment; that being said, I want to point out two book-related pieces I wrote:

  • To accompany my recent review of Avtodya Panaeva’s The Talnikov Family, I interviewed the translator Fiona Bell as well as Panaeva scholar Margarita Vaysman. To learn more about an incredible 19th century Russian female writer, a woman who helped run a most influential literary magazine, do read this Q&A: Narrating a Violent Childhood on Punctured Lines–here are so many insights!
  • I never miss a chance to gush about a favorite writer. This time, the question “what are you reading now?” from The Common arrived just as I was finishing Bohumil Hrabal’s I Served the King of England.

Born in the USSR, Raised in California: Immigrant Writers Read From Their Work

This event has been a long time in the making, and I’m so excited to participate!!

Olga Zilberbourg's avatarPunctured Lines

Dear Punctured Lines readers — come meet us on Zoom, and help us celebrate the publication of Masha Rumer’s book! (In San Francisco? Come meet us in person, details below.) We’re so happy to welcome Masha’s newly published Parenting With an Accent: How Immigrants Honor Their Heritage, Navigate Setbacks, and Chart New Paths for Their Children (Beacon Press). Punctured Lines published a Q&A with Masha when this book was still in the proposal stage, and we’ve been following Masha’s Twitter posts about its development with great interest and anticipation. Now that this book is out and available for all to read we are ready to party (and encourage all of our readers to buy it)!

This upcoming event will feature Masha Rumer herself and our blog co-founders Yelena Furman and Olga Zilberbourg alongside the brilliant Maggie Levantovskaya, Vlada Teper, Sasha Vasilyuk, and Tatyana Sundeeva, all immigrant writers, all born in…

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Video from my reading for BunkerLit

Back in May, I read from my book and answered some questions for a new, Zoom-based reading series called BunkerLit. It was a fun event and the organizers posted the video right away, but things were hectic then (let’s face it, they are still hectic six months later), and I forgot to share this link here. Check it out. I’m hugely grateful to Brendan Isaac Jones and Amy Butcher for inviting me and for everyone who attended!

Peninsula Literary on March 17

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About Featured Readers

Olga Zilberbourg is a bilingual author; born in St. Petersburg, Russia, she
lives in San Francisco. Her third book of stories was published in Russia in
2016. Her English-language fiction has appeared in World Literature Today,
Tin House’s Open Bar, Narrative Magazine, and other print and online
publications. Her story “Love & Hair” recently won The Willesden Herald
International Short Story Award that she received in London, UK. Olga serves
as a co-moderator of the weekly San Francisco Writers Workshop.

David Denny’s most recent book is a collection of short fiction, The Gill Man in
Purgatory. He is also the author of two poetry collections: Man Overboard and
Fool in the Attic. Recent stories and poems have appeared in The Sun, Rattle,
California Quarterly, Catamaran, Spillway, and Chiron Review. David teaches
in the English Department at De Anza College in Cupertino, where he also
served as inaugural Poet Laureate from 2011-2013. When not teaching or
writing, he paints, hikes, reads, and enjoys classic studio-era movies. Check
out his web site at www.daviddenny.net.

Find out more about Gallery House artist Rozanne Hermelyn Di Silvestro at
http://wordpress.hermelyn.com/wordpress/

Reading in Sausalito

jan-12-2017-wtaw-readers

I’m excited to participate in the seventh anniversary of Why There Are Words reading series. rom the beginning, founder Peg Alford Pursell and her team have been fostering a sense of camaraderie between writers and readers, providing such necessary opportunities for all of us to connect. This night promises to be all that! Come come come.

When: 7 pm on January 12, 2017

Where: Studio 333, 333 Caledonia St. Sausalito, CA

Why There Are Words will celebrate its 7th anniversary Jan. 12, 2017! “Lucky Seven + One to Grow On” will feature the following eight acclaimed authors who’ve appeared at WTAW over the past seven years. Additionally, the publishing arm, WTAW Press will announce the selection of the first two titles it will publish in 2017. AND, we’ll toast the launch of WTAW’s national neighborhood of readings in New York City, Los Angeles, Pittsburgh, Portland and Austin, set to begin in February. Join us at Studio 333 in Sausalito. Doors open at 7pm; readings begin at 7:15. $10 (cash or check).

Afghan-American author Tamim Ansary wrote West of Kabul, East of New York, San Francisco’s  “One City One Book” selection for 2008, as well as the best-selling Destiny Disrupted, A history of the world through Islamic Eyes. His latest book, Road Trips, is about dropping out of a society he wasn’t even a part of.  He lives with his wife Deborah and his cat Raoul in San Francisco, where he teaches memoir writing workshops dedicated to the proposition that if no one remembers it, it didn’t happen. His work-in-progress is a meta-history of the world: Ripple Effects, How we all came to be so interconnected and why we’re still fighting. He hopes that if writing it doesn’t kill him, it will make him stronger.

Rebecca Foust’s most recent book, Paradise Drive, won the Press 53 Poetry Award and is nominated for the 2016 Poets’ Prize. It was widely reviewed, in the Georgia Review, Harvard Review, Hudson Review, Philadelphia Inquirer, San Francisco Chronicle and elsewhere. Recognitions include the American Literary Review Fiction Award, the James Hearst Poetry Prize, and fellowships from the Frost Place, MacDowell, and Sewanee.

Joan Frank is the author of six books of fiction, and a book of collected essays. Her new novel, All the News I Need, won the 2016 Juniper Prize for Fiction, and will be published next month (February 2017) by the University of Massachusetts Press. (Yes, it is possible to pre-order, and Joan will be thrilled and wildly grateful if you do.) Her last novel, Make It Stay, won the Dana Portfolio Award; her last story collection, In Envy Country, won the Richard Sullivan Prize in Short Fiction, the ForeWord Reviews Book of the Year Award, and was named a finalist for the California Book Award. Her last book of collected essays, Because You Have To: A Writing Life, also won the ForeWord Reviews Book of the Year Award. Joan holds an MFA in Fiction from Warren Wilson College in Asheville, NC. Recipient of many grants, fellowships and literary honors, Joan is also a frequent reviewer of literary fiction for the San Francisco Chronicle. She lives in the North Bay Area of California.

Evan and Miles Karp are Turk & Divis, an intersection where chance, rhythm, and processed repetition collide with modified fragments of language to form serendipitous anthems and intimate, often polyvocal meditations inside of those anthems. Old school samples and some of tomorrow’s most unusual hits @ turkanddivis.bandcamp.com. Evan is also the mastermind behind Quiet Lightning and Litseen.

Kate Milliken’s debut collection of stories, If I’d Known You Were Coming, won the John Simmons Award for Short Fiction, judged by Julie Orringer, and was published by the University of Iowa Press. The recipient of fellowships from the Vermont Studio Center, Tin House, Yaddo, and several pushcart nominations, Kate’s stories have appeared in Zyzzyva, Fiction, and the Santa Monica Review, among others. In 2009, Kate and her family moved from Los Angeles to the suburban wilds of Mill Valley, where they knew almost no one. Soon after, in search of a writing community, Kate wrote to an instructor she found online. That instructor was Peg Alford Pursell.

Joshua Mohr is the author of five novels, including Damascus, which The New York Times called “Beat-poet cool.”  He’s also written Fight Song and Some Things that Meant the World to Me, one of O Magazine’s Top 10 reads of 2009 and a San Francisco Chronicle best-seller, as well as Termite Parade, an Editors’ Choice in The New York Times. His novel All This Life won the Northern California Book Award. His first book of nonfiction, a memoir called Sirens, is out this January 2017.

Naomi J. Williams is the author of Landfalls (FSG 2015), long-listed for the Center for Fiction First Novel Prize and the National Book Critics Circle’s John Leonard Award. Her short fiction has appeared in journals such as Zoetrope: All-Story, A Public Space, One Story, The Southern Review, and The Gettysburg Review. A five-time Pushcart Prize nominee and one-time winner, Naomi has an MA in Creative Writing from UC Davis. Naomi was born in Japan and spoke no English until she was six years old. Today she lives in Davis, California, where she teaches creative writing and serves as co-director of the literary series Stories on Stage Davis. She’s hard at work on new writing projects, including a novel about the early 20th-century Japanese poet Yosano Akiko.

Olga Zilberbourg was born in St. Petersburg, Russia and moved to the United States at the age of seventeen. In 2016, her third book of fiction in Russian was published in Moscow-based Vremya Press. Olga’s English-language fiction has appeared in and is forthcoming from Alaska Quarterly Review, World Literature Today, Feminist Studies, California Prose Directory, Narrative Magazine, Santa Monica Review, and other print and online publications. Olga serves as a consulting editor at Narrative Magazine and is a co-moderator of the San Francisco Writers Workshop.

Why There Are Words takes place every second Thursday of the month, when people come from all over the Bay Area to crowd the house. The brainchild of Peg Alford Pursell, this literary goodness celebrates seven years of presenting voices that need to be heard. Why There Are Words is, of 2017, a national neighborhood of readings, taking place in NYC, LA, Pittsburgh, Portland, and Austin. Its publishing arm is WTAW Press.