Tag: San Francisco Writers Workshop

To Lit Crawl and Beyond!

On By Olga ZilberbourgIn Awards, Event, Links, Publication, Publishing, Readings, short story, TranslationLeave a comment

Dear friends,

As many of you know, October is Litquake month in San Francisco — our annual literary festival is already underway, with many entertaining, educational, and inspiring events. On October 25 (Saturday), the festival ends with Lit Crawl — a literary pub crawl through the Mission neighborhood.

I’m participating in two events. In Phase 1, from 5-6 pm, find me at Ruth’s Table (3160 21st St), with my fellow immigrant writers from the former USSR. This year, our theme is “Owning Fear, Reaching for Freedom.” We’re reflecting on how our community experience of living under a totalitarian regime has prepared us for the current political moment. And though the theme is as grim as the times, I promise you that the event won’t be. Events with this group of writers and translators are a wonderful occasion to celebrate community and each other’s work. We’re here to support and encourage each other to tell more stories. Too much has been silenced and swept under the rug. We’re trying to bring it all out in the open. It’s a joyous occasion!

A flyer displaying ten author's photos alongside three quarters perimeter. In the center left, in black, title of the event: OWNING FEAR, REACHING FOR FREEDOM: POST-SOVIET WRITERS AND TRANSLATORS SPEAK OUT on the right, in red: LIT CRAWL SAN FRANCISCO Below, in Blue: Sat OCTOBER 25TH 5-6 PM AT RUTH'S TABLE 2160 21st Street Sponsored by California Humanities and Ruth's Table

Then, for Phase 2, from 6:30 to 7:30 pm, I head to Noisebridge (272 Capp Street), where I will continue to celebrate my writers group. Every Tuesday night, we gather together to read each other our story drafts and to give and receive feedback on our work. This is how we learn to build stronger, more clear and nuanced, stories.

During this event, five of our amazing writers will share their work and tell us about how they’ve revised it after receiving feedback. Then, we’ll ask our audience to critique a story. Guaranteed laughs! (And also maybe it will make revision more approachable to people.)

An image of a blackboard with a stack of yellow pencils in the foreground. Text in yellow and white reads: San Francisco Writers Workshop Presents Five writers read their stories and share the feedback that made them great. Then YOU get to critique a juicy story, Live! Below: Author's portraits with signatures: Beverly Parayno Peng Ngin Tim Sullivan Jo Beckett-King Tony Tepper Below: We've Got Notes for You! October 25, 2025 Lit Crawl, Phase II, 6:30 pm Noisebridge, 272 Capp Street

Looking beyond Litquake, on Saturday, November 8, at 6 pm, I will be reading at Telegraph Hill Books alongside my friend Bart Schneider, who has just published his novel GIACOMETTI’S LAST RIDE, about the final romance of a famous Swiss sculptor, Alberto Giacometti. It’s a gorgeously produced book with illustrations by a well-known Sonoma-based artist, Chester Arnold. Bart will introduce the novel, and I will read some of my new work, and then we can talk about books and hang out. Join us!

In other news, my translations from the work of Olga Bragina have received two recent honors.
* Editors of ANMLY nominated the poems they published for a Pushcart Prize.
* One of the poems published by Consequence, has been chosen to appear in Best Literary Translations 2026 anthology, forthcoming from Deep Vellum Press. So delighted! Olga Bragina’s work deserves more recognition.

This summer, Yelena Furman and I have been able to add several publications to Punctured Lines, our feminist blog on post-Soviet and diaspora literature. We pride ourselves in amplifying work by writers from underrepresented groups in our literary space. Dive in:
* We Have to Go Back: Speculative Fiction, Nostalgia, and the Ghosts of Bookshelves Past, Guest Essay by Kristina Ten
* Queering Peripheries: Lara Vapnyar’s “Lydia’s Grove”: Soviet-Born: The Afterlives of Migration in Jewish American Fiction by Karolina Krasuska
* Seven Forty: Memoirs of a Jewish District Attorney from Soviet Ukraine by Mikhail Goldis, translated, edited, and with an Introduction by Marat Grinberg
* Graphic Novels and Memoirs of Soviet Trauma

(Apologies for the TOY STORY reference in my subject line. It’s stuck in my brain and won’t go away.)

With appreciation for you all,

Olga

Celebrating San Francisco Writers Workshop and Noisebridge

On By Olga ZilberbourgIn Event, ReadingsLeave a comment

Many of you have heard me talking about my “Tuesday night writers group.” Back in 2006, I started sharing my fiction with some of my comparative literature grad school friends, and one of them pointed me to this public, drop-in workshop that at the time was meeting in the basement of an art gallery near Union Square in San Francisco. The first time I showed up, the moderator, Tamim Ansary called on me to read my story outloud, and as I did so, something clicked: I didn’t recognize my own voice. I’d been reading and thinking about voice in literature from a scholarly point of view, but here I was experiencing my own voice as an embodied thing. It felt stilted, unsure of itself. I could do it better, differently. I could learn. It didn’t hurt that Tamim actually liked whatever it was I read and encouraged me to come back.

This summer marks ten years since I, Judy Viertel, and Kurt Wallace took over from Tamim in moderating the San Francisco Writers Workshop, with Monya Baker joining us later. These days, the workshop is meeting at a hackerspace in the Mission, Noisebridge, and this coming Friday, June 6 at 7 pm, we’ll be gathering there to celebrate the workshop and to fundraise for our venue. Noisebridge allows us space to meet for free, while their own rent is sky high. In addition to hosting our group, Noisebridge also provides a stage for Lit Crawl and other literary gatherings throughout the year. I’ve been encouraging everyone I know to donate what they can to help support this organization that contributes to the vitality of San Francisco’s literary scene.

And please come party with us on Friday! Tamim Ansary himself will be there, presenting his new and very topical book, TRUTHER NARRATIVES. Current co-moderator Monya Baker will also read, and I’m so proud to introduce a few of our current regulars. We will have a book raffle, a storytelling game, food, and an opportunity to tour Noisebridge. I made some nifty postcards and clipboards — you will want one!

Three additional items:

* Check out this YouTube recording of a conversation about literary translation I hosted back in April for WTAW Press. Featured here are Ilze Duarte, Katherine E. Young, Jenny Bhatt, Boris Dralyuk, and Yilin Wang — translating work from Brazilian, Russian, Gujarati, and Chinese. Do email me if you read any of the books mentioned. I’m so curious to hear what makes an impression.

* My publisher, Peg Alford Pursell (whom I first met at the San Francisco Writers Workshop) asked me to judge the second annual Kevin McIlvoy Book Prize. The results are in: the winner is THIS IS ALSO LIFE by Elle Therese Napolitano. This book is an intimate portrait of two women affected by domestic violence to various degrees. Its inventive structure allows a realistic representation of the aftermath of violence and hopefully will be appreciated by other readers when the book is published by WTAW Press. Keep an eye out for it!

* Another group of the writers workshop regulars are putting together a new literary reading on Sunday June 8 at a wine bar in the Mission. Literary scene in SF is clearly *on fire*! Please welcome Public Words! I’m planning on being there. Come hang out.

With appreciation for you all,

Olga

Litquake Events

On By Olga ZilberbourgIn Event, ReadingsLeave a comment

Once again, it’s Litquake season in San Francisco! My schedule is, unfortunately, being hijacked by the fact that my kids’ amazing local public elementary school, Harvey Milk Civil Rights Academy, is in peril as a result of the district’s financial mismanagement, and in the last 10 days I’ve been involved in helping to organize 2 rallies and multiple other initiatives to try to #saveourschools.

But! Litquake is not to be missed and there are so many exciting and important events that are on the schedule. Check it out.

I’m participating in three events. The first will be this coming Monday, 6:30 pm at 297 Page Street. Called Golden State: Stories about Life on the Left Coast, it’ll feature about 15 readers, including me, performing our flash fictions. This event is currently sold out on Eventbrite, but don’t let that stop you. Tickets are free, and Eventbrite isn’t that reliable as a predictor of attendance for free events. Come!

October 26, the last day of the festival, is also when Lit Crawl happens: starting at 5 pm that Saturday, literary readings will take over the Mission neighborhood. I am helping to organize two events.

At 5 pm, come to Manny’s for a reading we’re calling Passionate Thinking in Diaspora to hear a fantastic group of writers who were born in Ukraine, Russia, and Moldova. This is our third time doing an event at Lit Crawl, and we’re excited to return with all new stories. Find more details about the event, including our bios, on Punctured Lines.

To continue Lit Crawl extravaganza, I invite you to follow me to Noisebridge, where at 6:30 pm on October 26, I’ll be helping to emcee a presentation of the San Francisco Writers Workshop–the longest running writing workshop probably anywhere!–featuring our current moderators and regulars, with stories spanning different genres, centuries, continents (including imagined ones). Can’t wait to hear and celebrate this crew. Find more details on the San Francisco Writers Workshop’s page.

And yes, I’m heading to the afterparty at the end of the festival. Dunno if there will be any awkward dancing this year, but I promise to contribute my share of awkward yet impassioned conversation on any topic you like. Including, yes, the school district, omg.

Olga

Litquake Panel on Writing Communities

On By Olga ZilberbourgIn Book panel, EventLeave a comment

The world is on fire, cataclysmic events developing by the day and by the hour. As I am working on a novel, I feel that to do my job well, I have to turn off all the news for long chunks of time. My novel is set in the year 1990, and current news are not helpful when I’m trying to finish my draft. Yet I don’t want to hide my head in the sand and miss an opportunity to contribute today and now, whenever my particular intersection of skills can be of use.

I know many writers are trying to balance these impossible contradictions and demands on our time. Finding time to build community has never felt more important. For writers in San Francisco, come to this Litquake event for info about awesome local writers communities. I’ll be representing the San Francisco Writers Workshop — a free community workshop that meets at Noisebridge Hackerspace at 272 Capp Street on Tuesday nights 7-9 pm.

Pre-order tickets on Eventbrite.

Show Her a Flower, a Bird, a Shadow

On By Olga ZilberbourgIn Book review, Uncategorized1 Comment

Peg Alford Pursell is one of the writers whose work I’ve been following for some years, having met her when she moved to the Bay Area and became a regular, for a time, at the San Francisco Writers Workshop. It’s a particular pleasure to hold in my hands a book that I feel I already know intimately, from having seen some of the stories in drafts, from knowing the author’s aesthetic and using that as a jumping off point into the reading. my-book-cover-in-this-size-2_2_0

But what if the book proves to be too familiar, too well-known, its movements too predictable? Will the writer still surprise, like a partner after many years of marriage? The risk is high, and the reward — oh the reward. Being allowed into the inner world of another human being, being encouraged to examine the corridors of her heart, laid out in all of their complexity, the dizzying sensation of falling into the words as into a looking glass.

Show Her a Flower, a Bird, a Shadow delivers all that. I’m about halfway through. Looking at its cover, I thought of describing it as baroque for a kind of exuberance in the detail of the bird and the petals. Such a perfect cover to this book, where the sparseness of language coexists with sudden proliferation, of streamlined sentences opening unexpectedly into luxurious, and soaring, flourishes.